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ACID LOOPS - ALL:


ELECTRIC GUITARS:

JEFF BALLEW:
• 1-Classic Rk & Rk n Roll
• 2-Classic Hard Rock
• 3-Classic Rock
• 4-Hendrix Style
• 5-Blues, Rhythm & Blues
• 6-Guitar Sessions
• Volumes 1-6

ARTHUR LEE LAND:
• 1-Rock Land


ACOUSTIC GUITARS:

GREG DIAZ:
• Volume 1 45-64 BPM
• Volume 2 66-74 BPM
• Volume 3 75-82 BPM
• Volume 4 83-120 BPM
• Volume 5 120-158 BPM
• Volumes 1-5 45-158 BPM


BASS GUITARS:

DEAN CORTEZ:
• Ambient Bass - Vol 1
• Electric Bass - Vol 2
• Slap Bass - Vol 3
• Volumes 1–3

CHET SMITH:
• Electric Bass


VOCALS:

CINDEE NOBLE:
• Cindee Sings! Vol 1
• Cindee Sings! Vol 2

IJAH:
• Ijah's Bag

LAUGHTER:
• Hilarious Vol 1
• Hilarious Vol 2


KEYBOARDS:

• Rhythm & Grooves Vol 1
• Rhythm & Grooves Vol 2

• Swinglefunk Volume 1
• Swinglefunk Volume 2
• Swinglefunk Volume 3
• Swinglefunk Volumes 1–3


DRUMS:

• Drum Language Vol 1
• Drum Language Vol 2
• Drum Language Vol 3
• Drum Language Vol 4
• Drum Language Vol 1 – 4



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Synth Loops::

Keyboard Loops ::

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RHYTHM AND GROOVES VOL 1

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Rhythm & Grooves Volume 1 contains rhythmic synth loops. There are some are individual instrument acid loops and also some multi instrument arrangements. This acid loops collection contains mostly instrument sounds that only synthesizers can produce like pads or hybrid instruments, but there are also some traditional drum loops, bass, and guitar included within some of the multi instrument mixes. The tempos range from 90-132 bpm. The styles range from funky to film to alt rock, but always a bit out of the ordinary acid loops.

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RHYTHM AND GROOVES VOL 2

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Rhythm & Grooves Volume 2 contains rhythmic keyboard loops. There are some are individual instrument acid loops and also some multi instrument arrangements. The acid loops contain mostly instrument sounds that only synthesizers can produce like pads or hybrid instruments, but there are also some traditional drums, bass, and guitar included within some of the multi instrument mixes. The tempos range from 90-132 bpm. The styles range from film to fusion, to funk, to alt rock, to smooth jazz, and a bit of country, but these acid loops are a bit out of the ordinary.

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SWINGLEFUNK VOLUME 1

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Swinglefunk Volume 1 contains one funky 4 bar motif with some swing to it, and lots and lots of rhythmic and tonal variations. The key is C and the tempo is 97. The tonal nuances range from pad sounding to wah wah guitar sounding to organ sounding to kalimba sounding while the rhythm is modulating as well. The tones transpose and layer well, allowing you to make more complex chordal variations and rhythms, and the motif lends well to lots of different styles. Swinglefunk volume 2 is the second half of the same jam and volume 3 is additional takes in different keys.

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SWINGLEFUNK VOLUME 2

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Swinglefunk Volume 2 contains one funky 4 bar motif with some swing to it, and lots and lots of rhythmic and tonal variations. The key is C and the tempo is 97. The tonal nuances range from pad sounding to wah wah guitar sounding to organ sounding to kalimba sounding while the rhythm is modulating as well. The tones transpose and layer well, allowing you to make more complex chordal variations and rhythms, and the motif lends well to lots of different styles. Swinglefunk volume 1 is the first half of the same jam and volume 3 is additional takes in different keys.

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SWINGLEFUNK VOLUME 3

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Swinglefunk Volume 3 contains one funky 4 bar motif with some swing to it, and lots and lots of rhythmic and tonal variations. The keys are A, E and D and the tempos are 97 and 108. The tonal nuances range from pad sounding to wah wah guitar sounding to organ sounding to kalimba sounding while the rhythm is modulating as well. The tones transpose and layer well, allowing you to make more complex chordal variations and rhythms, and the motif lends well to lots of different styles. Swinglefunk volume 1 and 2 are from another take in C at 97 bpm.

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SWINGLEFUNK VOLUMES 1 – 3

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Swinglefunk volumes 1-3 contain synth loops of one funky 4 bar motif with some swing to it, and lots and lots of rhythmic and tonal variations. The key is C on 2/3 of the loops and D, E, and A on the remaining 1/3. The tempo is 97 on 80% of the loops with about 20% at 108 bpm. The tonal nuances range from pad sounding to wah wah guitar sounding to organ sounding to kalimba sounding while the rhythm is modulating as well. The tones transpose and layer well, allowing you to make more complex chordal variations and rhythms, and the motif lends well to lots of different styles.

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