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Samples Demo songs Prices & Ordering
All of these acoustic guitar loops are completely “acidized”. The tempos and keys are noted in the files and folders, so you can easily and quickly find the appropriate tempo, key and style to use in your song. There are 963 acoustic guitar loops in 42 folders. There are 576 MB in the 24 bit version, and 385 MB in the 16 bit version. I've tried to describe the disc honestly and accurately, without the usual hype, to give you the basic idea of what's on the disc, but I encourage you to listen to some of the samples and demo songs to see if you like the feel of the musicianship.sample 1, sample 2, sample 3, sample 4, sample 5, sample 6, sample 7, sample 8, sample 9, sample 10, sample 11, sample 12, sample 13, sample 14, sample 15, sample 16, sample 17, sample 18, sample 19, sample 20 Demo Songs: A Walk in the Country - An upbeat country pop song featuring Greg's acoustic guitar loops from this disc. The bass is from Bass on Demand, the fiddle from Rhythm & Twang, the Vocals are from the two Sony Bradley Fish discs, and the drums from several different discs. A Walk in the Country_rhythm only - This is the same song as above but just with acoustic guitar, bass and drums. I included it here just so you could hear the guitar parts a little easier. Prices & Ordering:
Also available are: approximately 50 MB segments of 16 bit downloadable acoustic guitar loops from this disc here:
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Disc Description:
Acoustic guitar loops- Guitarist Greg Diaz plays amplified Acoustic Guitar Volume 4 at
tempos from 83-120 bpm. These loops include strumming, finger picking, and a
“punchy” style that combines plucking, picking and strumming. The style is
mostly pop-rock with a little folk, country and a hint of bluesy and jazzy here
and there. A TC Electronic G-Force was utilized to get the tones that were
achieved. There are lots of variations on similar themes on this disc. The feels
range from sweetly soft and gentle to strongly rhythmic. A variety of keys are
included. Many of the chords and chord combinations are played multiple ways
within the same context, allowing you to create very natural realistic chord
changes without any redundancy. Each file names the chord or chords in their
filenames, and the keys are set to the first chord in the file. Layering the files
allows you to create an immense variety of more complex chords and strumming and
picking patterns, and the files are all played tightly “in the pocket” allowing
them to work well together rhythmically. This technique was used in several of
the demo songs (from each of the different volumes). See if you can tell where
the layering was used.?.!